What histories and discourses are inscribed on the body?
Even though you didn’t say “no” in what you’ve been told is the “right” way to say no, you were saying no.
Sometimes it is easier to call the truth a story or a song. / What some deem repression, I name reflections.
When it comes to how rape culture is enabled, made mundane, what are the hard questions we have not yet posed?
Tales of Quarantine from Around the World
Why care so much for someone who hasn’t done the same for you? As a feminist offering to the project of abolition, Saidiya Hartman reflects, “Care is the antidote to violence.”
In honoring ordinary people and gestures, Chang reminds us of things taken for granted, of cramped train rides and eavesdropped conversations, the sounds and smells of cityscapes and markets.
Five essays in a new collection from A World Without Cages show us the creative work of movement building.
In Part One of a discussion on South Asian diasporic organizing in the movement for abolition, Mon M. shares three areas of critical work, storytelling, and action to undertake in solidarity with Black and Dalit liberation struggles.
I might do something dangerous in that state of mind.
What was I when I was not quite in one place, nor in another, just in midstream?
Sometimes I’m mad at you for never teaching me how to get away. / Sometimes I’m mad at myself for opening a door I could not close.
Not upon, over, at, or near, rape is not adjacent to anything. It is the thing.
On the spaces we exist in and the legacies we leave behind
A manifesto for the post-pandemic reemergence of ‘Old New York’
I think of the warmth that had once existed under the covers in the narrow space between my parents.
I gazed into the gimmick, and the gimmick gazed back.
A visual and typographical essay on prison doulas’ community-care in the face of violence from carceral systems.
I miss my home. Although I’ve never seen where it is, I close my eyes and picture every detail it contains.
When my mother and I were hopeless, buckling under the weight of our unanswered prayers, she taught me that laughter can be a way of creating our own mercy.
Even though you didn’t say “no” in what you’ve been told is the “right” way to say no, you were saying no.
Sometimes I’m mad at you for never teaching me how to get away. / Sometimes I’m mad at myself for opening a door I could not close.
Sometimes it is easier to call the truth a story or a song. / What some deem repression, I name reflections.
Not upon, over, at, or near, rape is not adjacent to anything. It is the thing.
When it comes to how rape culture is enabled, made mundane, what are the hard questions we have not yet posed?
On the spaces we exist in and the legacies we leave behind
Tales of Quarantine from Around the World
A manifesto for the post-pandemic reemergence of ‘Old New York’
Why care so much for someone who hasn’t done the same for you? As a feminist offering to the project of abolition, Saidiya Hartman reflects, “Care is the antidote to violence.”
I think of the warmth that had once existed under the covers in the narrow space between my parents.
In honoring ordinary people and gestures, Chang reminds us of things taken for granted, of cramped train rides and eavesdropped conversations, the sounds and smells of cityscapes and markets.
I gazed into the gimmick, and the gimmick gazed back.
Five essays in a new collection from A World Without Cages show us the creative work of movement building.
A visual and typographical essay on prison doulas’ community-care in the face of violence from carceral systems.
In Part One of a discussion on South Asian diasporic organizing in the movement for abolition, Mon M. shares three areas of critical work, storytelling, and action to undertake in solidarity with Black and Dalit liberation struggles.
I miss my home. Although I’ve never seen where it is, I close my eyes and picture every detail it contains.
I might do something dangerous in that state of mind.
When my mother and I were hopeless, buckling under the weight of our unanswered prayers, she taught me that laughter can be a way of creating our own mercy.
What was I when I was not quite in one place, nor in another, just in midstream?